Hotels Kylie Jenner Has Stayed At

Martin Brudnizki’s interiors give Fouquet’s New York its particular personality: brass, velvet, and Art Deco furniture bring a Parisian sensibility to Tribeca’s cobblestone streets. The 97 rooms and suites carry that aesthetic into a softer palette of pastels, with high ceilings and large windows; Deluxe King rooms pair lavender and almond green with views of the neighborhood’s historic redbrick buildings. The connection to Paris extends to Brasserie Fouquet’s, an homage to the Champs-Élysées original founded in 1899, and Titsou Bar, whose candlelit tables recall the 1920s and ’30s. Terrace suites open the hotel outward, framing Tribeca’s 19th-century architecture or the Hudson River.

Jacques Grange gave The Mark a distinctive design vocabulary: bold black-and-white stripes, custom furnishings, and art and lighting commissioned specifically for the hotel. Working with Parisian antiquaire Pierre Passebon, he brought in contributors including Ron Arad, Vladimir Kagan, and Mattia Bonetti, giving the public spaces the appeal of a design collection. Upstairs, rooms take a more uncluttered approach, with views over Madison Avenue, East 77th Street, or townhouse gardens. The Upper East Side address puts Central Park and the Metropolitan Museum of Art within easy reach, while Jean-Georges Vongerichten’s restaurant and Caviar Kaspia—with its caviar-topped twice-baked potato—give visitors reasons to linger downstairs.

Acoustic guitars in the guest rooms give an early clue to Le Royal Monceau - Raffles Paris’s artistic temperament. Philippe Starck’s reworking of the hotel carries that spirit through interiors filled with contemporary art, while suites draw on the lines and colors of the 1940s and ’50s, with books and messages scrawled on lampshades adding personal touches. The collection extends beyond the bedrooms: more than 300 works, a contemporary gallery and the 99-seat Katara Cinema make culture part of a stay. On Avenue Hoche, near the Arc de Triomphe and Parc Monceau, this hotel has welcomed artists and writers since 1928; its present-day character gives that history a tangible expression.

Original mosaic floors and Duchemin stained glass in the Rotunda give The Peninsula Paris’s restored heritage building a particularly Parisian sense of occasion. On Avenue Kléber in the 16th arrondissement, the hotel carries that grand architectural character into 200 rooms and suites furnished with contemporary artworks. Its more individual accommodations include the Belle Époque-inspired Historic Suite and the Katara Suite, with its own rooftop garden and terrace. Upstairs, L’Oiseau Blanc’s sixth-floor dining room and outdoor terrace bring the city itself into focus, with views toward the Eiffel Tower. Those elevated spaces are a defining part of the hotel’s appeal: a chance to see Paris spread out beyond the formal rooms below.